An artistic discussion on the critical potential of African American expressive culture

In a major reassessment of African American culture, Phillip Brian Harper intervenes in the ongoing debate about the “proper” depiction of black people. He advocates for African American aesthetic abstractionism—a representational mode whereby an artwork, rather than striving for realist verisimilitude, vigorously asserts its essentially artificial character. Maintaining that realist representation reaffirms the very social facts that it might have been understood to challenge, Harper contends that abstractionism shows up the actual constructedness of those facts, thereby subjecting them to critical scrutiny and making them amenable to transformation.

Arguing against the need for “positive” representations, Abstractionist Aesthetics displaces realism as the primary mode of African American representational aesthetics, re-centers literature as a principal site of African American cultural politics, and elevates experimental prose within the domain of African American literature. Drawing on examples across a variety of artistic production, including the visual work of Fred Wilson and Kara Walker, the music of Billie Holiday and Cecil Taylor, and the prose and verse writings of Ntozake Shange, Alice Walker, and John Keene, this book poses urgent questions about how racial blackness is made to assume certain social meanings. In the process, African American aesthetics are upended, rendering abstractionism as the most powerful modality for Black representation.

Aḥmad Fāris al-Shidyāq (Author)
Aḥmad Fāris al-Shidyāq (1805 or 1806-1887) was a foundational figure in modern Arabic literature. Born to a prominent Maronite family in Lebanon, al-Shidyāq was a pioneering publisher, poet, essayist, lexicographer and translator. Known as ""the father of Arabic journalism,"" al-Shidyāq played a major role in reviving and modernizing the Arabic language.

Humphrey Davies (Translator)
Humphrey Davies is an award-winning translator of some twenty-five works of modern Arabic literature, among them Alaa Al-Aswany’s The Yacoubian Building, five novels by Elias Khoury, including Gate of the Sun, and Aḥmad Fāris al-Shidyāq’s Leg over Leg. He has also made a critical edition, translation, and lexicon of the Ottoman-period Brains Confounded by the Ode of Abū Shādūf Expounded by Yūsuf al-Shirbīnī, as well as editions and translations of al-Tūnisī’s In Darfur and al-Sanhūrī’s Risible Rhymes from the same era. In addition, he has compiled with Madiha Doss an anthology in Arabic entitled Al-ʿāmmiyyah al-miṣriyyah al-maktūbah: mukhtārāt min 1400 ilā 2009 (Egyptian Colloquial Writing: selections from 1400 to 2009) and co-authored, with Lesley Lababidi, A Field Guide to the Street Names of Central Cairo. He read Arabic at the University of Cambridge, received his Ph.D. from the University of California at Berkeley, and previous to undertaking his first translation in 2003, worked for social development and research organizations in Egypt, Tunisia, Palestine, and Sudan. He is affiliated with the American University in Cairo.