With a wink or a nod, a shake of their shoulders or hips, America's "Dark Divas," "Sepia Sirens," "Black Beauties" have acted out fantastic stories full of whispers and secrets. They have played with the myths, created legends, turned the social order topsy-turvy. One thing is certain: in 20th- and 21st-century America, an impressive lineup of African American women have dazzled and delighted the world with their energy and style.


Who are these great women of the stage and screen? the singers, dancers, comediennes, actresses? In this groundbreaking book, Donald Bogle narrates a sweeping history and describes a remarkable tradition that was largely unknown or not understood - or simply unacknowledged.


Each of the women in Brown Sugar has a perfected public personality uniquely her own - Ma Rainey, Bessie Smith, Ethel Waters, Josephine Baker, Billie Holiday, Lena Horne, Fredi Washington, Ella Fitzgerald, Katherine Dunham, Marian Anderson, Moms Mabley, Eartha Kitt, Dorothy Dandridge, Leontyne Price, Diana Ross, Aretha Franklin, Cicely Tyson, Tina Turner, Donna Summer, Whitney Houston, Whoopi Goldberg, Angela Bassett, Oprah Winfrey, Mariah Carey, Halle Berry, Queen Latifah, Lauryn Hill, Mary J. Blige, Faith Evans, Lil' Kim, Alicia Keyes, Beyonc� Knowles, and many others.


Diva style has sometimes been part put-on, part come-on, part camp, and part reflection of an authentic African American cultural tradition. Haughtiness, control, shrewdness, energy, extravagance, optimism, and humor are all a part of it. "Dazzle your audience," they seemed to say, "but never lose your cool."


Yet, there are often the tears behind the mask, the hideous realities of racism and exploitation, the pain hiding behind the smile, the concealed anxieties, private lives in ruins: all the obstacles and pressures involved in making it to the top.


Always, however, there is the redemption through these women's art.


In these pages are the incandescent women who have lit up Broadway and movie screens; turned clubs, caf�s, concert halls, and televisions aglow with their particular brand of black magic; sold millions of cds and dvds; and are the subjects of endless fascination in the tabloids and on the Internet.


Onstage and off, the lives of these captivating women, their follies and fortunes, trials, tragedies, transformations, and triumphs, their inimitable style, have become a cherished part of our own.

Michael Frayn's award-winning plays include Alphabetical Order, Make and Break and Noises Off, all of which received Best Comedy of the Year awards, while Benefactors was named Best Play of the Year. Other recent works include Democracy, the fourteenth of his plays, and Copenhagen, winner of numerous awards including the Evening Standard and Critics' Circle Best Play Awards 1998. In 2006 Donkeys' Years was revived on the West End thirty years after its premiere.