The essential guide to raku techniques, covering clay types, glazes, kilns, firing methods and reduction processes.

Over the last thirty years interest in the raku pottery technique has grown hugely - the excitement, immediacy and unpredictability of the raku process catching and firing the imagination of professional and amateur potters alike. Despite its association with amateur pottery classes, when practised at a higher level, it is an unforgiving, demanding medium which tests pots and potters to the limit. The famous Japanese potter Hamada said that he wanted to wait until the end of his life before making raku pots as it was the most difficult and important technique to master. A growing number of potters have turned to this medium however, as a serious expression of their work, finding new (or perhaps old) and varied techniques to explore, and thriving on the opportunities provided by the raku process to transform accidents and mistakes into new techniques or innovative pieces.

This new edition of Raku has new text and is beautifully illustrated in full colour throughout with an almost totally new selection of images from the work of the many highly-regarded raku potters featured. As in the previous edition, an important focus of the book is the exploration of the work, inspiration and influences of some sixty-five artists. The gallery of artists featured has been greatly updated and expanded to reflect new techniques by established raku potters and also the work of more recent converts to the medium. New entries include Toshio Ohi, Maika Korfmacher, Yasuo Terada, Marvin Sweet, John Wheeldon, Maila Klementinnen, Ashraf and Sue Hanna and Justin Novak to name but a few. This also remains a highly practical book for the practicing potter, providing a fresh and comprehensive overview of raku techniques, covering clay types, glazes, kilns, firing methods and reduction processes. It also provides recipes for clays and glazes used by the potters featured. A history of raku is also included following its inception in Japan at the end of the 16th century to its introduction to the West by Bernard Leach up until the present day. Those exciting early years are vividly brought to life with anecdotes from David Leach.

Raku provides all the essential practical information you need to start raku firing. It is also a great source of inspiration for potters and of delight for those interested in contemporary ceramics.

Tim Andrews is an English studio potter making distinctive smoke-fired and raku ceramics exhibited internationally. He trained as an apprentice to David Leach and studied at Dartington Pottery Training Workshop before setting up his first studio in 1981. After sharing a workshop at Lowerdown with Leach from 1986-93 he set up his current studio at Woodbury in Devon.

Andrews is a fellow of the Craft Potters Association and has published a number of books on the craft of raku. His work can be found both in public and private collections including: Stoke-on-Trent and Liverpool Museums, Ashmolean Museum, St John's College, Oxford and The Royal Bank of Scotland.