Dictionary of Modern Anguish
해외직수입Dictionary of Modern Anguish Paperback
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정가
30,200원
판매가
27,180원 (10% 할인)
저자
Ralph M. Berry
출판사
Fiction Collective 2
발행일
2000-06-01   
ISBN
9781573660853
언어
영어
페이지수
200 쪽
사이즈
139.7*215.9*12.7 mm
무게
285.76 gr
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Fourteen enactments of radical undoing by the acclaimed author of Leonardo's Horse and Plane Geometry and Other Affairs of the Heart. Reviews of unwritten novels, prefaces to fraudulent books, narratives of dictionary entries, and one interminable sentence, all written in a style as strewn with landmines as everyday speech.

In "Samuel Beckett's Middlemarch" a scholar undertakes to reconstruct the deceased author's reputation after the discovery of a thousand page realist novel among Beckett's posthumous papers. The novel, about an idealistic young Englishwoman in a nineteenth-century village, is heralded by some as Beckett's broadest parody, decried by others as Beckett's dementia, but in the imaginary interval between modernity and tradition the scholar locates another Beckett of whom only Middlemarch can make an end.

The spirit of Wittgenstein hovers low over these literary pratfalls where materiality proves the most artificial of abstractions and what goes without saying always leaves somebody up in the air. In "Knott Unbound" an office worker suspected of murder recalls feeling a pain but can't otherwise account for his time. "That the missing time should be missing from his life seemed, if you thought about it, the merest of accidents, like bad genes or rich parents, and the thought that Knott's well-being rested on nothing surer, nothing but the likelihood that his every second would follow the preceding with no break, all this struck him as fantastically irrational. How did humans abide it? But the world was a slave to such prejudices."

In these fabrications reminiscent of Stein, Borges, and Sorrentino, Berry unsettles the grounds of narrating. In "Mimesis" a semi-literate surveyor struggles against metaphysical abandonment in a Florida swamp; in "Torture!" an anthropologist leaves his lifelong study of cruelty mysteriously unwritten; and in "A Theory of Fiction" a ruined man finds revenge in misrepresenting every injustice he's ever suffered. Nothing seems the matter. Everything appears to be wrong. From first word to last, these are fictions of impossible everydayness, where the telling of what's happening proves the unlikeliest feat of all.


저자소개

Cris Mazza is the author of a dozen novels and collections of fiction. Her most recent books are the novels Disability and Homeland, and a memoir titled Indigenous / Growing Up Californian. Among her other notable titles are Dog People, Your Name Here:___, plus the critically acclaimed Is It Sexual Harassment Yet? She was also co-editor of Chick-Lit: Postfeminist Fiction, and Chick-Lit 2 (No Chick Vics), anthologies of women’s fiction, and was a recipient of an NEA fellowship. Mazza’s first novel, How to Leave a Country, while still in manuscript won the PEN / Nelson Algren Award for book-length fiction. The judges included Studs Terkel and Grace Paley. Since then, Mazza’s fiction has been reviewed numerous times in The New York Times Book Review, The Wall Street Journal, MS Magazine, Chicago Tribune Books, The Los Angeles Times Book Review, The Voice Literary Supplement, The San Francisco Review of Books, Time Out: London, and many other book review publications. In spring 1996, Mazza was the cover feature in Poets & Writers Magazine, and in December 2004 Poets & Writers published her essay “Chick-Lit and the Perversion of a Genre.” The October 2005 Contemporary Literary Criticism as well as Routledge Press’s Chick Lit: The New Woman’s Fiction (October 2005) feature Mazza’s essay on Chick-Lit. A native of Southern California, Cris Mazza grew into early adulthood in San Diego County. She now lives 50 miles west of Chicago and is a professor in the Program for Writers at the University of Illinois at Chicago

Jeffrey DeShell, novelist, professor, and literary critic, is the author of six novels: Expectation, S & M, Arthouse, The Trouble With Being Born, In Heaven Everything is Fine (FC2), and Peter: An (A)Historical Romance (Starcherone), as well as a critical book, The Peculiarity of Literature: An Allegorical Approach to Poe’s Fiction. He has co-edited two collections of fiction by American women, Chick-Lit I: Postfeminist Fiction and Chick-Lit II: No Chick Vics (FC2), and was a Fulbright Teaching Fellow in Budapest, Hungary, 1999–2000. Currently, DeShell is a Professor of English, where he has served as the Director of the Creative Writing Program at the University of Colorado at Boulder.

 

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