It is widely known that – at least in current societies - culture depends on money. Less attention has been given to the contrary fact: money also depends on culture. In its very foundation - negotiations, values, exchanges, debts and obligations, contracts and laws – money's functioning is tied to cultural practices, institutions, identities, and meanings. This interdisciplinary anthology scrutinizes the two-way connection between culture and money, and its implications for economic theory.

In this book a wide range of established experts and newcomers from a range of disciplines investigate current economic issues from the perspective of their social and cultural embeddedness, their cultural and literary negotiations and their history. In doing so, they highlight what mainstream economics has missed, or wilfully ignored: they analyze the cultural genealogy of economic notions and concepts that have been thought of as abstract, ‘scientific’ economic terms – such as the concept of “value”; they point toward social aspects of economic action hitherto unnoticed by economics, (including power, the relevance of institutions and the role of misfortune and failure). The book also explores the looming question about what happens when the cultural foundation of money is replaced by machinic algorithms. The volume provides a valuable contribution to cultural studies’ current ‘re-discovery’ of economic topics while taking a purposefully critical stance on this notion, as it puts particular emphasis on not just the theoretical significance but also the acute relevance of its findings.

The book therefore addresses academic audiences across a wide field of disciplines, such as the social sciences, literary and cultural studies, economics and history.

Esther Schomacher currently holds the position of guest professor for Italian Literature at the Institute for Romance Literatures and Languages at Humboldt-University of Berlin. Previously she worked as an associate professor for Italian Literature at Ruhr-Universität Bochum University and for Cultural Studies and Cultural Analysis at Zeppelin University, Friedrichshafen. Her research focuses on relations between literature and sciences, especially economics, on media theory, political theory, and historical Gender Studies.

Jan Söffner holds the chair for Cultural Theory and Cultural Analysis at Zeppelin University in Friedrichshafen, where he also worked as Vice President for Teaching from 2018 to 2021. Jan earned his PhD in Italian Studies and his 'Habilitation' (second, post-doctoral dissertation) in Comparative Literature and Romance Studies. From 1999 to 2007, he was a research associate at the Department of Romance Studies at the University of Cologne; and from 2008 to 2010 he worked on the research project Emotion and Motion at the Centre for Literary and Cultural Research (Zentrum für Literatur- und Kulturforschung) in Berlin.