Cultural Critique provides a forum for creative and provocative scholarship in the theoretical humanities and humanistic social sciences. Transnational in scope and transdisciplinary in orientation, the journal strives to spark and galvanize intellectual debates as well as to attract and foster critical investigations regarding any aspect of culture as it expresses itself in words, images, and sounds, across both time and space. The journal is especially keen to support scholarship that engages the ways in which cultural production, cultural practices, and cultural forms constitute and manifest the nexus between the aesthetic, the psychic, the economic, the political, and the ethical intended in their widest senses. While informed by the diverse traditions of historical materialism as well as by the numerous critiques of such traditions from various parts of the globe, the journal welcomes contributions based on a variety of theoretical-methodological paradigms.

Shin’ichirō Nakamura (1918–1997) was a critic, scholar, and author of dozens of novels, many of which feature the experience of intellectuals during and after World War II.

Takehiko Fukunaga (1918–1979) was a prolific poet, translator of French fiction, and novelist, known for his sensitive, poetic writing style and interest in existential themes.

Yoshie Hotta (1918–1998) was an essayist and novelist involved in leftist politics and the international nonalignment movement of the 1960s.

Jeffrey Angles is professor of Japanese literature at Western Michigan University. He is author of three books and translator of several works in Japanese, including Godzilla and Godzilla Raids Again by Shigeru Kayama, also published by the University of Minnesota Press.